I am interested in responding to a conflicted moment in history in notions of masculinity with a generative, creative invitation. Expanding upon my experience in dance for the stage, I will stretch the boundaries of lenticular photography to present fully realized 3-dimensional animations that tell a story, additionally incorporating practical shadowbox elements to create literal and metaphorical depth. Utilizing a robust, community-based approach, the viewer will be provided a place of creative awe and can discover new ways of thinking and seeing themselves and others. Rather than focus on conflict and flaw, this work invites the viewer to both understand more deeply and to celebrate a positive version of masculinity. Through dreaming, opening new and community-supportive ways of being and discovering what can only be said without words. In my experience of the dance-world, the ephemeral nature of performance is satisfying in its own way, but I am curious about a more definitive outcome, to somehow break apart the complex code of place, shape, tension, emotion, and vibration and experience its details through a microscope…utilizing these discoveries to explore the myths of existence.
As a man who grew up in rural Kansas, I am curious to learn what archetypal elements of being a man I am allowed to participate in and finding what it is that bonds me to all men and if there are in fact experiences that are crucial to gender expression. The historical, spiritual, and mythic stories I have inherited, I seek to splay open and reinvent and most importantly, provide an opening for something new.
Every element of this project is present to facilitate a supported, creative dialogue that welcomes the viewer to embellish their own story. I begin by engaging the audience’s imagination with practical magic meant to engage childlike awe. From this supple place, audio recordings of people sharing their experiences help the viewer associate their own identifications with the images. The dance performance will incorporate a diverse vocabulary of movement mediums and further add usable colors for the viewer. Finally, the use of the space by curated and varied local groups, gives room for the expression of what they have discovered.
The origin of this idea as a touring show came from a conversation with a presenter in Lubbock, Texas. Upon hearing the concept, she immediately offered to present it. Her reason being that she doesn’t have opportunities to talk about these things with her son. To have a creative entry point would be invaluable for her.
I think of people who live in my home state of Kansas who now feel lost within the light shining on eons of a non-generative expression of masculinity, with no viable alternative. The final show will tour to communities underexposed to this kind of discussion.