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Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman Johanna Goodman
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Who is Johanna Goodman?

New York-based Artist, Johanna Goodman studied at Boston University’s School of Fine Art (Boston) and Parsons School of Design (NYC) where she graduated with a Bachelor of Fine Arts in Illustration in 1992.

She has been a freelance Illustrator ever since. Her work has garnered awards from The Society of Publication Design, American Illustration, and Communication Arts.

But I could never afford one of her works. Or could I?

She curates her own store on her own website, which puts her work a little more within reach.

What does the artist have to say for herself?

“The more I surprise myself the better,” she says. “I find it exhilarating as well as challenging to take images that might seem banal and turn them into something bizarre, and hopefully beautiful.” She has created more than 100 of these images, inspired by fashion, history and art, and says “in some way they are each projections of parts of myself”.

From the Financial Times:

A regular contributor to The New Yorker and Time, among other publications, Johanna Goodman plays with a familiar composition: placing people with tiny faces and feet, and huge voluminous bodies often made from found imagery, in a dramatic setting. The works resemble Victorian fashion plates transplanted to an alternative universe. “I love that the visual structure of my series has become a template for me to explore my personal feelings as well as so many different aspects of the human condition,” Goodman explains from her home in upstate New York. “I’ve used the series as a way to process or reflect culture, fashion, art history, news, politics, my travels and, most importantly, joy.”

Goodman, who began as a painterly illustrator before stumbling upon collage, reaches her eager audience directly, selling from her own website, but has also had life-size prints and originals (from $800) shown in gallery contexts. Her work has the kind of universal appeal that could leap beyond the art world into the mainstream. There are currently 412 pieces in her Catalogue of Imaginary Beings series. She sees no end in sight.

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