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Miami 02

Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre
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I spent a week in Miami to clear my head and prepare for the new piece I was making for San Francisco Ballet. While I was in town, I did a photoshoot with Miami City Ballet dancer Kleber Rebello at the nudist Haulover Beach on one of the few sunny days.

There is a lot of nervous energy leading up to starting a new piece. It’s looking for a place to go. With nothing to hook that¬†electricity up to, it’s easy to feed on oneself and invent tragedies.

There was a lot of rain that week, but I spent a day at the Wynwood Walls. It’s an area that takes the giant blank walls of a warehouse district and transforms them into canvases as way of creating a feeling of¬†event and a community and destination. In their sum total, they are inspiring. I like murals, but seeing a whole neighborhood under such a variance of scale and ideas was unique.

I tried as an experiment, to make a film about my day there. As a way to expend some of the creative energy that was champing at the bit, instead of pacing the city and worrying about my dance, I made a film about my day in the neighborhood.

I tried as an experiment, to make a film about my day there.

Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre

Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre

Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre

Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre Trey McIntyre

WHAT

a video of my day in Miami

WHEN

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